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文化研究论文 The Politics Of The Reproducibility

文化研究论文 The Politics Of The Reproducibility

Reproducibility is the ability of something to be accurately reproduced or replicated by another individual working independently. It relates to the agreement of the results with different operators using different tools at a different location. The results are always reported as a standard deviation from the original plan. In Benjamin works of art, reproducibility is a process that occurs slowly and may take a long time. Benjamin discusses the reproducibility in the works of art and the entire world of photography and film. It is all about the modern age and its effects on the work of arts. How art has been changed by the perception of the humans through time. Reproducibility changes the original piece of art through the change of the originality or aura of the artistic image, the real message put across and the cult value of the original art. The reproduction of pieces of art causes a total change in the perception of the art and can send a total different meaning to the observer. Reproducibility is an inevitable process that takes place over time and it serves to bring a lot of change in the meaning of art. It overshadows the concepts of originality and creativity of art. It can therefore be said that reproducibility is one big enemy to the world of art and the divine talent requirement to be artistic.

重复性是一种能被另一个人独立工作的东西准确地复制或复制的能力。它涉及到的协议的结果与不同的运营商使用不同的工具在一个不同的位置。结果总是报告为一个标准偏差从原来的计划。在本杰明的艺术作品中,再现性是一个缓慢而可能需要很长时间的过程。本杰明讨论了艺术作品和整个世界的摄影和电影的再现性。这都是关于现代的,它对艺术作品的影响。艺术如何改变了人类的感知通过时间。再现性改变了原作的艺术形象,通过艺术形象的独创性或灵气的变化,真实的信息传达和原始艺术的崇拜价值。艺术作品的再现,使艺术的知觉完全改变,并能给观察者发出一个全然不同的意义。再现性是一个不可避免的过程,随着时间的推移,它会带来很多的艺术意义的变化。它超越了艺术的原创性和创造力的概念。因此可以说,再现性是艺术世界的一大敌人,神圣的天赋要求是艺术的。

A look at the photography of today, there is so much reproducibility of photographs of various places and features that the real image or the original item cannot be defined. It is not easy to tell anymore if the items in photographs are really as represented. Photography can be said to leave out a lot of details of the original thing. For example details such as the distance, vegetation and the color are completely distorted. With the advances in technology photographs can be used to represent an image of a certain thing just like in a painting. This also leaves out a lot the originality of the image displayed. For example the photographs of the mountain like the Alps remove the concept of space and time.

看看今天的摄影,有这么多的可重复性的照片的各种地方和功能,真正的图像或原始项目不能被定义。这是不容易告诉了,如果在照片中的项目是真的。摄影可以说省去了很多细节的原创东西。例如,细节,如距离,植被和颜色是完全扭曲的。随着技术的进步,照片可以用来代表一个图像的某一个东西就像在一幅画里。这也省去了许多显示的创意。例如,像阿尔卑斯山这样的山的照片,去除了空间和时间的概念。

According to (Blunden ii), even the most perfect pieces of art that are reproduced are lacking in the element of space and time. The technology of the modern times in photography renders the work of art impure. While some pictures will want to portray the mountains to have peaks that are slightly steep and have very green vegetation others show complete different imagery of steep peeks and no vegetation. This technology of photography renders the works of art impure and changes the original forms of the art. Photography can be said to make the work of art loose the aura or the authenticity through the mechanical production. While the photograph of the mountain will be representing an image of another image, a painting will be the original mountain.

根据(Blunden II),即使是最完美的艺术作品,转载缺乏时间和空间的元素。摄影中的现代技术使艺术作品不纯洁。虽然有些照片会想描绘山有峰,稍陡,有绿色植被的人表现出陡峭的山峰完全不同的意象和无植被。这种摄影技术使艺术作品不纯净,改变了艺术的原始形式。摄影可以说是使艺术作品松散的光环或通过机械生产的真实性。当这座山的照片将代表另一幅图像的图像时,一幅画将是原始的山。

Paintings would capture the concentration and contemplation of the viewer unlike photography. The paintings would be fascinating and inviting to the observer. The cult value that would have been in a painting is replaced by the exhibition value in photography. The cult value does not disappear suddenly but in a shadowy manner. The cult value is still represented in photography but in a far distant manner because just like the portraits, photography is also meant as storage of memories. Photography as a replacement of painting brings out a distant political significance through the creation of memories. The images of photography also bring out a very different side of the original. The photographs are meant to capture what the original person and the photographer want to portray to the viewer; therefore the original thing is not what the viewer sees but the viewer is subjected to a totally different concept.

绘画将捕捉到的观众不同的摄影的浓度和沉思。这些画将是迷人的,并邀请观察员。将在绘画中的崇拜价值被摄影作品的展览价值所取代。邪教的值不会突然消失在朦胧的方式。邪教的价值仍然是代表在摄影,但在一个遥远的方式,因为就像画像,摄影也意味着存储的记忆。摄影作为绘画的一种替代,通过记忆的创造,带来了一种遥远的政治意义。摄影的图像也带来了一个非常不同的一面原来的。这些照片是为了捕捉到原来的人和摄影师想描绘给观众,因此,原来的东西不是什么观众看到的,但观众是受到一个完全不同的概念。

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