将PP与典型的莎士比亚戏剧区分开来的是主人公互动的方向。作为剧中的中心人物，伊丽莎白从来没有在生活中遇到过不可能的事情，也从来没有征服过任何恶魔。相反，“机智与戏剧的结合，只有在伊丽莎白和达西对彼此重估的表现中，才能在[PP]的中央序列中取得完全的成功。”(瓦特1963年，第63页)。作为性别平等的证明，达西和伊丽莎白对彼此的背景和意图都有各自的保留。例如，伊丽莎白一直对达西怀有戒心，因为她是一个城市的势利小人，她对乡村生活的假设太快了。她的意见涉及到她的家庭，她很谨慎。伊丽莎白对达西的怀疑渐渐变成了怨恨，最后她和韦翰短暂地交上了友谊，达西对她一定程度的怨恨。奥斯丁仔细地介绍了伊丽莎白和韦翰的人物，确保伊丽莎白永远不会因为他那和善的外表而倾心于他。相反，奥斯丁把伊丽莎白描绘成“完全并且故意(错误地)判断达西的性格，只是因为他是达西的敌人”(布卢姆1987年，第60页)。达西几乎把伊丽莎白当镜子，她又怀疑班纳特家打算把简·班纳特嫁给富有的查尔斯·彬格莱。虽然他的怀疑很大程度上是出于对他朋友的关心，但达西承认他对下层阶级的偏见，就像伊丽莎白承认她对中产阶级的偏见一样。奥斯丁出色地将这两个角色编织在一起，在整个小说中，他们都是怀恨和不成熟的。伊丽莎白和达西的镜像性格的发展与达西的表现有重叠，这显示了韦翰靠不住的过去，导致了他们之间的“重估”和萌芽的关系。达西和伊丽莎白的相似之处，是对平等概念的一种补充。尽管这两个角色都是“非常成熟的人，在他们相遇的时候，”这两个角色都发展并克服了他们所表现出来的判断上的小瑕疵，尽管他们的出发点是好的.
美国宾夕法尼亚大学论文代写:莎士比亚戏剧区
What separates PP from the typical Shakespearean drama is the direction of the protagonists’ interactions. As a central focus of the play, Elizabeth never faces impossible odds in life, never having to conquer demons of any sort. Instead, the “union of wit and drama is achieved with complete success only in the central sequence of [PP], in the presentation of Elizabeth’s and Darcy’s revaluation of each other” (Watt 1963, p. 63). As a testament to gender equality, both Darcy and Elizabeth have their reservations about each other’s backgrounds and intentions. For example, Elizabeth is constantly wary of Darcy as an urban snob who too quickly makes assumptions about country life. She is guarded as his opinions involve her family. Elizabeth’s suspicions of Darcy grow into spite, culminating with her brief friendship with Wickham, who Darcy regards with a certain degree of spite. Austen introduces the characters of Elizabeth and Wickham carefully, making sure that Elizabeth never fully becomes enamored with him for his kind facade. Instead, Austen portrays Elizabeth as “completely and willfully [misjudging] Darcy’s character, [overlooking] Wickham’s faults simply because he is Darcy’s enemy” (Bloom 1987, p. 60). Darcy almost mirrors Elizabeth, who in turn suspects the Bennet family of intending to marry Jane Bennet to the wealthy Charles Bingley solely for his money. Though his suspicions are largely born out of concern for his friend, Darcy admittedly concedes his prejudice toward the lower classes just as Elizabeth admits to her prejudice toward the bourgeois. Austen brilliantly weaves the two characters together, who are spiteful and immature only to each other throughout the novel. The mirrored character development of Elizabeth and Darcy overlap as Darcy reveals Wickham’s dubious past, leading to the “revaluation” and budding relationship they share. The paralleling of Darcy and Elizabeth serves as an added allusion to the concept of equality. Though both characters are “extremely mature people by the time [they] meet,” both characters develop and overcome what small flaws in judgment they exhibit despite their good intentions
