虽然她与Othello的婚姻是一个争议，但它是一个测试种族和宗教关系的界限。异族通婚，不是厌恶，是他们的关系中解决。Desdemona总是受害者的生活休息，只在她疯狂的丈夫的手。Desdemona是一个女性主义者，甚至有女性的特点，她会拿起一把剑，加入了奥赛罗在军事。她生活的威尼斯只在经济上给她嫁妆，然后在结婚时得到报酬。从社会的角度来看，Desdemona可能已经能够请求她同威尼斯求助时，她怀疑奥塞罗的暴力倾向。然而，她选择了离开她的命运在她丈夫的手，不管结果如何。凯特，虽然不停地问公众对爱的机构，没有考虑她的立场为女性的原因。传统的女权主义攻击婚姻制度的重点是婚姻强迫某些角色的妇女（母亲和征服下的丈夫特别）。没有迹象表明凯特把这些立场；更有可能的是，她是痛苦的事实，社会力量和为什么它是强迫婚姻。
美国结构学论文代写:种族和宗教关系的界限
Though her marriage to Othello was one of controversy, it was one that tested the boundaries of race and religion-relations. Miscegenation, not misogyny, was addressed in their relationship. Desdemona was perpetually a victim whose life rested solely in the hands of her insane husband. For Desdemona to be a feminist or even have feminist characteristics, she would have picked up a sword and joined Othello in the military. The Venice in which she lived only economically endowed her with a dowry, which would then be paid upon marriage. From a social standpoint, Desdemona may have been able to petition her fellow Venetians for help when she suspected Othello’s violent tendencies. However, she chose to leave her destiny in the hands of her husband, no matter the outcome. Kate, though constantly haranguing the general public for the institution of love, does not take her stance for feminist reasons. The traditional feminist attack on the institution of marriage focuses on marriage as forcing certain roles on women (motherhood and subjugation under a husband in particular). There is no indication that Kate took any of these stances; more plausible is that she is embittered by the fact that society forces marriage and not why it is forced.
