在19世纪，由于那个时代的大萧条，人们产生了极大的不满。玛丽·雪莱反对社会制造一本小说，它将使人类质疑上帝背后的力量。她的小说的全称包括现代普罗米修斯，表明雪莱受到了早期文学的影响和影响。据说普罗米修斯是所有从诸神中偷火的泰坦中最聪明的，所以玛丽·雪莱把普罗米修斯的这一方面用在弗兰肯斯坦里面，以增加她哥特式的写作风格。她要复制维克托为普罗米修斯的化身了。和普罗米修斯一样，维克托着迷于电和闪电，这与怪物的诞生有关。“我可能会给躺在我脚下的这无生命的东西注入一点火花”，“注入”电“无生命”物体的迹象是不人道的；尽管身体是“无生命的”，但总体的想法是令人厌恶和错误的。这是因为它在道德上是错误的，违背了上帝的真实本性，因为他是唯一能够创造生命的人。利用电能给死人提供动力似乎是不可能的，但这恰恰说明维克托的工作被超越了临界点，因为他想表现得比他出色。
美国密西西比论文代写:时代的大萧条
In the 1800s there was a high discontent because of the great depression in that era. Mary Shelley went against society to produce a novel that would make humanity question the power behind god. The full title for her novel includes The Modern Prometheus showing Shelley was clearly influenced and took her influence from earlier literature. Prometheus was said to be the wisest of all Titans who stole fire from the gods, so Mary Shelley has taken this aspect of Prometheus and used it within Frankenstein to add to her gothic style of writing. She has done this to replicate Victor as the incarnation of Prometheus. Like Prometheus, Victor is fascinated with electricity and lightening and this links with the 'birth' of the monster. "I might infuse a spark of being into this lifeless thing that lay at my feet." The indication that 'infusing' electricity into a 'lifeless' object is just inhumane; although the body is 'lifeless' the overall thought is repulsive and wrong. This is because it is morally wrong and against the true nature of god as he is the only one who can create life. Using the force of the electricity to power a dead body seems impossible, but this just shows that Victor’s work is pushed past the breaking point because he wants to excel at what he does.
