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美国数学代写essay:脆弱与革命

在这最后一章的小说,当最后女天真的脆弱与革命的恐怖和力学,狄更斯却画两概念之间的一个决定性的分离。在爱情中,主角们脱离了物质世界——断头台,一台被设计成两个人的断头台:“两个站在受害者迅速变瘦的人群中,但他们说话的时候好像他们是孤独的。”。在这最后的一点新的–人物摆脱他们的背景。事实上,狄更斯用不同的段落来描述人类的时刻和吸粪车叶片秋季仿佛外界的影响无法控制的特点。的眼睛,声音,手拉手,心连心,在小说中是对立的双方的一种探索,最好的时代,也是最糟糕的时代,这是它的结局对冠军等于连接而不是争论。这篇文章把两个概念结合在一起,所以“两个立场”变成了“他们说”。虽然他们是“两个孩子”,但他们来自一个“宇宙母亲”,尽管他们相距甚远,但他们已经“走到了一起”。这里最重要的是,狄更斯选择了在他小说的结尾创造一个不同的文学效果。它可能表明,野蛮和同情的冲突在阅读过程中产生了震惊和悬念,但它有一个动机,使读者继续经历这些时刻,即达到一个恰当的和谐。

美国数学代写essay:脆弱与革命

In this closing chapter of the novel, when finally the fragility of female innocence collides with the horror and mechanics of the revolution, Dickens actually draws a crucial separation between the two concepts. United in love, the protagonists fall away from the physical world – the guillotine a machine which by designs cuts people in two: ‘The two stand in the fast thinning throng of victims, but they speak as if they were alone’. In this final point of the novel – the characters break free from their context. In fact, Dickens uses different paragraphs to describe the human moments and the fall of the tumbril blade as though the outside influences have no control over the characters. ‘Eye to eye, voice to voice, hand to hand, heart to heart,’ where the novel has been an exploration of pairs of opposites, the best of times, and the worst of times, it champions as it denouement pairs of equals and connection rather than argument. The passage unites two concepts into one, so ‘The two stand’ become in transformation ‘they speak’. Though they are ‘two children’, they are born of one ‘Universal Mother’, and though ‘so wide apart’ they have ‘come together’. What is important here, is that Dickens has chosen to create a different literary effect at the end of his novel from that outlined in the title, by a confrontation of equals rather than opposites. It may show that the collision of brutality and compassion work to create shock and suspense during reading but it is with one motivation that a reader continues through these moments and that is to reach a fitting harmony.

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